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Title: Persol    

Artist: Gianluca Resi (Italy)

Artwork Technique: Acrylic Painting on Wooden Panel 

Artwork Dimensions: H 100 x W 100 cm

Creation Year: 2018 

Category: Paintings 

Style: Pop Art 


Orientation: SQUARE 

Item location: Italy

Price: 30% OFF - Lowest Price Guaranteed



Description about the work

  • Awesome Original AMAZING MARCELLO MASTROIANNI Painting for Sale on Wooden Panel
  • Amazing Black and White Art with Red Accents 
  • High quality: 100% hand painted.
  • Made of Imported Wooden Panel which can keep colorful permanently without fading and cracking.
  • Convenient: Stretched and Framed decorative painting on a wooden panel set ready to hang for home decorations wall décor
  • Good for a gift: Packed in carton box
  • 100% satisfied guarantee. Buy with confidence!
  • A perfect wall decoration for living room, bedroom, kitchen, office, Hotel, dining room, bathroom, bar etc.
  • A great gift for your relatives and friends.
  • Actual painting may be slightly different from the product image due to the different brand of monitors,
  • Please refer to the colors shown in the photo.
  • Materials/Milieu: Acrylic painting, high-quality colors, wooden panel.
  • Lowest Price Black and White Art with Red Accents 
  • Overnight shipping
  • Any artwork comes with a Certificate of Authenticity signed by the Author

Description about the Subject 

The famous actor (whose full name was Marcello Vincenzo Domenico Mastroianni), born in Fontana Liri (Frosinone), in 1924, had the good fortune to breathe the air of cinema from an early age. Even a child, in fact, had the opportunity to do even appear in some films of the great De Sica (who in the thirties was a recognized teacher).

Subsequently, after graduating from high school, he enrolled in the Faculty of Economics and Commerce, but never interrupted his relationship with the show and in particular with the theater. He joined the groups of the University Theater Center, was noticed by none other than by Luchino Visconti, who called him with him to play important roles in recently conceived theatrical works such as, for example, "A streetcar called desire" and "Death of a salesman ", or more classics like" La locandiera "and" Le tre sorelle ".

The turning point of his career comes with "La dolce vita" (1960), an epic costume film in which Marcello Mastroianni is a modern anti-hero and that marks the beginning of a long and successful artistic association with Federico Fellini.

With Fellini he provided the memorable results also in "Eight and a Half" (1963), taking on the role of a sort of alter ego of the Rimini director. Later, in the early sixties, he obtained a personal triumph in "Divorzio all'italiana" and "The companions".

He partnered with Sophia Loren in various films by De Sica and appeared in several Ferreri films including "La Grande Abbuffata", "Ciao Maschio" and "Storia di Piera". He worked with Petri from "L'assassino", with Scola from "Drama of jealousy" to "Splendor" and "Che ora è?", Through "A special day" which was one of his best tests.

The continuation of his career has been a succession of successes alongside the greatest directors. In recent years, he remembers his interpretation to a film of civic engagement as "Sostiene Pereira" and the editing of his personal memories, appearing after-effects, in the film-document "I remember, yes I remember".

Protagonist of great versatility and undisputed skill (it has been said that in some films seemed to be able to work only with the expression of the look), he transmitted the image of a cultured and sensitive man, alien from divistic poses, that he was annoyed at the publicizing of his private life by the scandal press.

He has represented Italian cinematography with great generosity on an international level, but he has never unfortunately never deserved an Oscar.

Mastroianni died on December 19, 1996 at his home in Paris. Of him the director Dino Risi, who knew him well also for directing him, said: "It was the most beautiful soul of our cinema, the average and clean Italian.

Mastroianni was perhaps the one with whom it was most pleasant to work: and this for a very simple reason, never broke the boxes. I've never heard him say "This joke is wrong". He had a great flexibility and availability.

He did not speak: simply, he was an actor, taking on the role of the character with extraordinary ability. Marcello Mastroianni had the advantage of enjoying films that he did not like ". 

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